SKYLUM (Macphun,early 2018 they’ll completely switched to SKYLUM) a San Diego, USA based software company, is famous for its outstanding photo editing software products. Their latest software tool LUMINAR 2018 JUPITER has been upgraded to a new product supporting numerous improvements.
LUMINAR Neptune 2017 was launched 15th June 2017 and LUMINAR 2018 launched 16 November 2017 which makes it a real quick update. This review will discover and disclose wether the 2018 Jupiter upgrade is a true improvement over Neptune 2017 .
LUMINAR Neptune 2017 and LUMINAR 2018 are used by professionals as well as enthousiasts. SKYLUM has a great reputation for their outstanding products and aim to listen to their clients and implement their wishes in new product versions.
Luminar 2018 Jupiter offers a re-engineered proprietary RAW engine that can handle high-quality images faster. New filters include the ability to enhance Color with Brilliance, selective lighten or darken area’s with Dodge & Burn as well the addition of a new Sun-Rays filter. Apart from speed, the core of the update is two new features available in both the Windows and MacOS versions of Luminar 2018. They are: automatic lens correction controls and an improved Raw conversion engine that’s said to yield better exposure calculation, cleaner gradients, minimized chromatic aberrations and more robust camera compatibility.
Lookup Table Adjustments, known as LUTS. Creative color, perfect black and white conversions and even digital films stocks are just a click away. Lightroom users can convert their custom Lightroom presets into LUT’s with a free tool. There are a number of tools around, you may try this https://generator.iwltbap.com
First of all what is a LUT and what are its typical uses?
LUT means “Look Up Table.” It’s helpful to think of it like a math problem: R= S+L
“R” being your result or what you want to attain.
“S” being your source or what you start with.
“L” being your LUT or the difference needed to make up between your source and your desired outcome.
In all cases of LUT use, the LUT is the means to make up the difference between source and result.((All cases assume the colorist (or you) is grading through a correctly calibrated monitor for evaluation and finishing. LUTs in no way replace proper calibration or color correction. They only assist in the process.)) It’s never the result by itself. How does this play out? I’ll layout a couple probably over-simplified examples:
A very common example is printing your final film to…real, actual film. Print film came in a variety of flavors and styles. Each style had different nuances in color. The film lab would have all that nuance information or be able to send you a print test to work with. That would be your final result. The colorist grades a picture on his calibrated monitor but if he were to send that to print, it could come out looking far different due to the nuances of the physical film.
So in our math analogy, his graded film is “S” and his film print is “R.” He then uses the information from the film lab or on his own, creates and applies the LUT or the “L” to get him from his graded film to the print and to have it look as intended after it’s on the physical film. After applying the LUT, his graded film may look awful on his monitor, but will come out correct on the film print. ( source http://nofilmschool.com/2011/05/what-is-a-look-up-table-lut-anyway )
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